Chapter 1
Main Characters
Leonard Brooks, male, 35 years old, a professor of Classical Philology at a prestigious university, specializing in textual exegesis and the commentary tradition. He was meticulous and restrained, his life as precise as a dictionary.
Because of a traumatic childhood experience, he had a pathological fear of forgetting and disappearing, and was obsessed with recording every moment using a voice recorder and notes.
Evelyn Chase, female, 34 years old, a rare book conservator, born with prosopagnosia and unable to recognize faces. She identified people by their voice, scent, and small details. She lived carefree and unburdened, believing, "If I don't remember it, it wasn't important."
Grace Goodwin, 78 years old, Leonard's landlord, living on the first floor of an old house. She suffered from mild Alzheimer's, her memory slipping away a little more each day, like sand through an hourglass.
Story Summary
To find clues about the lost book, The Crossing Dust, Leonard Brooks rented a century-old house slated for demolition.
There, he met Grace Goodwin, his landlord, who was slowly losing her memory to Alzheimer's, and Evelyn Chase, a rare book conservator who had come to restore Grace's crumbling family photo album.
One tried to fight forgetting with a voice recorder. One passively forgot everything. One actively chose not to remember.
Three people, each inhabiting a different dimension of memory, uncovered the secrets of the house. Secrets spanning three generations. They found them through the silent testimony of old photo albums, yellowed letters, and antique furniture.
And in his search for the lost book, Leonard finally understood the unwritten one. The one made of everyday moments. The one that vanished before anyone thought to notice.
*****
Leonard placed his voice recorder on the podium and cleared his throat.
"Today, we will trace a single Latin root from its origin to its decline. Take dicere, to speak. From it, we get dictum, diction, dictator, verdict..."
The classroom was sparsely populated, with a few students scattered in the back rows, some scrolling through their phones. Leonard did not care. He never lectured to entertain anyone.
He only wanted to pin down every word exactly where it belonged. The shape, sound, and meaning of every word, and its evolution through the ages, had to be laid out with absolute clarity.
He feared ambiguity.
Forty-five minutes later, the bell signaling the end of class rang. Leonard turned off his recorder and collected his lecture notes. This was the twenty-third recording he'd made that day.
The folders on his phone were sorted by date, reaching all the way back fifteen years, to the year he started grad school. That was the year his father died.
A month before his father passed away, he could no longer recognize Leonard, pointing at him from his bed and calling him "Dad." Leonard was young then, thinking it was just a temporary confusion, that his father would remember once he got better.
He stayed by his father's side every day, reading the newspaper and telling him stories from when he was a kid.
"Dad, do you remember? When I was six, I climbed a tree to pick mulberries and tore my pants. I didn't dare go home."
His father looked at him, his eyes empty, like he was seeing someone he'd never met.
A month later, his father was gone. Leonard scoured his phone, but there wasn't a single recording of his father's voice.
He tried desperately to remember how his father sounded—the tone, the inflection, those little filler words—but it all slipped away like sand through his fingers. The harder he tried to hold on, the faster it vanished.
From then on, he started recording his life. Lectures, meetings, and even his own voice reading poetry. He captured the rain outside his window, the sizzling sounds from his neighbor's kitchen. Every file was tagged with the date, time, and place.
When his phone ran out of space, he moved everything to his computer. When the computer filled up, he bought portable hard drives. Now, he had twelve of them, all lined up neatly on the bottom shelf of his bookcase.
A girl hurried after him. "Professor Brooks, could you say more about what happens when a verb like dicere weakens into a function word?"
Leonard stopped, the details already assembling in his mind. "Take ire, to go. In late Latin, it began to lose its concrete meaning and crept into periphrastic futures. A word that once meant physical movement became a whisper of intention."
The girl's eyes sparkled as she listened and scribbled notes. Leonard always appreciated students who paid this much attention. After he finished, she asked a few more questions, right up until his phone alarm went off. It was three o'clock.
"I have to go," Leonard said with an apologetic smile. "I have an appointment with my landlord to view the house."
"You're moving?" the girl asked.
"I'm renting an old house over in the historic district," Leonard replied.
The girl looked surprised. "Don't you live in the apartment provided by the university? It's so nice."
Leonard did not explain. He could not tell anyone that he was looking for a book.
The Crossing Dust.
He had come across the name last year while digging through the special collections at the library. It was a lost book that had never appeared in any bibliography.
According to the catalog card, one volume existed, kept in a private home. But the owner had passed away long ago, their heirs had moved overseas, and the house had sat empty for years, now managed by a property agent.
That was the house he was going to see today.
Leonard had done his research. The old house was built in the 1920s, originally owned by a local manufacturer named Goodwin. It changed hands a few times over the decades, but eventually ended up back with the Goodwin family.
The current owner had moved to Carisland, leaving the house in the care of a distant elderly relative, Grace Goodwin, who was in her late seventies and lived there alone.
The agent said Grace did not want the house to sit empty. She wanted to rent it to someone cultured.
Leonard figured he just barely qualified as cultured.
The old house was tucked away deep in a quiet, tree-lined street. Old oaks shaded most of the sidewalk, their dappled light spilling across the bare brick facade.
Leonard stood at the entrance, gazing up at the three-story house. Bare brick walls, wooden shutters, a small balcony on the second floor, and withered vines trailing along the cast-iron railing.
The door was slightly ajar. He knocked.
No one answered.
He pushed the door open and went inside. The entryway was dim, filled with the scent of aged wood and camphor. To the left was a staircase, and to the right was the living room.